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SDG
In the bleak mid-winter, full score, Harold Darke, with MS-'organ' accompaniment. I made a score with separate pedal.
SDG
3:35 Est. Play
Time
78 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Choir Treble 14 0 1 6 66%
Tenor/Bass Bass 17 0 1 6 66%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Choir Treble 14 0 1 6 66%
Tenor/Bass Bass 17 0 1 6 66%
Organ Treble 16 31 1 5 63%
Pedal Bass 12 0 0 6 54%
Bassoon Bass 12 1 0 5 44%
Soprano Treble 10 0 1 6 22%
Tenor Treble 10 0 1 6 22%
 
Der Herr ist mein Hirt, Bernard Klein, male choir with piano accompaniment.
SDG
4:20 Est. Play
Time
93 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano
forte		 Treble 18 37 4 5 97%
Bass 25 57 7 4 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano
forte		 Treble 18 37 4 5 97%
Bass 25 57 7 4 100%
Basso
II		 Bass 13 0 5 4 97%
Basso
I. 		Bass 9 0 3 5 96%
Tenore
I 		11 0 2 6 96%
Tenore
II		 10 0 2 4 96%
 
Rast, die Winterreise, Schubert. Sung by Gertim (SDG).
SDG
2:58 Est. Play
Time
67 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pianoforte Treble 24 27 7 3 100%
Bass 14 23 3 4 100%
Singstimme Voice Treble 15 0 3 4 76%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pianoforte Treble 24 27 7 3 100%
Bass 14 23 3 4 100%
Singstimme Voice Treble 15 0 3 4 76%
 
3. Gefrorne Tränen, die Winterreise, Schubert
SDG
2:14 Est. Play
Time
56 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 24 46 7 3 97%
Bass 28 12 11 4 100%
Voice,
Vocal		 Treble 17 0 5 5 73%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 24 46 7 3 97%
Bass 28 12 11 4 100%
Voice,
Vocal		 Treble 17 0 5 5 73%
 
Dying with Jesus, by death reckoned mine.
SDG
1:35 Est. Play
Time
32 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 13 24 4 4 100%
T B Bass 18 1 5 5 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 13 24 4 4 100%
T B Bass 18 1 5 5 100%
 
Hark! There Comes a Whisper. Hoor het zacht gefluister, zondaar, kom tot Hem, Joh. de Heer 510.
SDG
1:28 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 10 0 1 5 100%
Tenor/Bass Bass 17 18 4 5 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 10 0 1 5 100%
Tenor/Bass Bass 17 18 4 5 100%
 
2. Die Wetterfahne, die Winterreise, Schubert.
SDG
2:09 Est. Play
Time
52 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 29 14 11 6 81%
Bass 27 35 9 5 99%
Voice,
Vocal		 Treble 15 0 6 5 80%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 29 14 11 6 81%
Bass 27 35 9 5 99%
Voice,
Vocal		 Treble 15 0 6 5 80%
 
6. Wasserflut, die Winterreise, Schubert. Piano accompaniment.
SDG
3:57 Est. Play
Time
32 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 15 25 3 8 100%
Bass 15 21 4 5 100%
Voice Treble 15 0 3 8 67%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 15 25 3 8 100%
Bass 15 21 4 5 100%
Voice Treble 15 0 3 8 67%
 
De herdertjes lagen bij nachte, by Patrick Hopper (with approval)
SDG
2:59 Est. Play
Time
68 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano
of

Orgel		 Treble 25 58 7 5 98%
Bass 38 38 10 6 92%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano
of

Orgel		 Treble 25 58 7 5 98%
Bass 38 38 10 6 92%
SOP ALT Treble 20 0 6 4 99%
TEN BAS Bass 22 0 4 4 80%
 
3. Gefrorne Tränen. Winterreise Schubert (only piano; accompaniment)
SDG
2:14 Est. Play
Time
56 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 24 46 7 3 97%
Bass 28 12 11 4 100%
Voice,
Vocal		 Treble 17 0 5 5 73%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 24 46 7 3 97%
Bass 28 12 11 4 100%
Voice,
Vocal		 Treble 17 0 5 5 73%
 
'k Aanbid de macht van uwe liefde, Dmitri Bortnjanski. Russian Orthodox style setting, by Gertim (SDG).
SDG
1:31 Est. Play
Time
27 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S/A Treble 11 0 0 5 100%
T/B Bass 21 16 2 5 100%
Tenor Treble 9 0 0 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S/A Treble 11 0 0 5 100%
T/B Bass 21 16 2 5 100%
Tenor Treble 9 0 0 4 100%
 
Die Krähe, die Winterreise, Schubert, D.911, No.15 with own vocal recording, sung by Gertim (SDG).
SDG
1:57 Est. Play
Time
43 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 31 19 10 4 100%
Treble 30 23 13 4 100%
Voice Treble 16 0 4 7 70%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 31 19 10 4 100%
Treble 30 23 13 4 100%
Voice Treble 16 0 4 7 70%
 
99. Freu dich sehr, o meine Seele. BWV 19/7.
SDG
1:31 Est. Play
Time
27 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 4 3 100%
Tenor/Bass Bass 15 0 4 4 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 4 3 100%
Tenor/Bass Bass 15 0 4 4 100%
B♭
Trumpet		 Treble 12 14 4 4 92%
Timpani Bass 2 0 0 2 69%
Contrabass Bass 11 0 3 4 50%